Magicka is a 2-D action-adventure spellcasting game thats utterly silly and pure fun to play. You play as a host of wizards in a quest to save Midgard from an old evil! Along the way, you’ll learn new spells, annoy your friends, and die more times by your own hand than you will by any of the mobs. The graphics are pretty, the soundtrack follows a mystical style, mixed with norse beats of a drum and suits the atmosphere very well. This game shines on its own but when played with friends it becomes a purely amazing, rage filled adventure, worthy of the price tag.
Jumping into Magicka you will instantly get the tone of the game: humor, wit and satire. Vlad, who is most certainly not a vampire, will explain that he is; most certainly not a vampire. Its the kind of “roll your eyes obvious kinda comedy” and its rife throughout the game. The game functions like a point and click for movement, you hold the left mouse button to guide your character to that point, the character also rotates with the mouse, so directions of spells is easy to control. The gameplay works by you have control of eight elements: Fire, Water, Ice, Earth, Arcane, Lightning, Life and Shield and you can use these on their own if you’re some kind of boring wizard, or you can do what the game really wants you to do: Combine them.
So after learning about the basics of the elements, like how you can’t combine lightning and water because you’d ultimately just fry yourself, you’re pretty much given free control over what spells you use. Over the course of the game, you’ll encounter new enemies who will have certain weaknesses to different spells and combinations of spells and this allows you keep being creative and makes you want to progress. You’ll find books along your adventure that give you powerful combinations of spells that you can cast to rain down meteors, crash enemies (or yourself and friends) to desktop, cause a blizzard and many more. Its such a fun way to play a game; see a huge horde of Goblins coming towards you? Just cast a meteor shower and hit yourself up with a shield and you’ll be fine. Most of the time.
Like I said earlier, there are plenty of Wizards to choose from. They’re all (Mostly I think) DLC packs, but you can get them all for dirt cheap now, and they really do expand the experience considering each wizard robe you pick has a different staff, robe and passive effects. One of my favorites is the “Heavy Metal Robe” as he gets a sweet 80’s rocker look, a mic-stand staff and an axe guitar melee weapon. The melee weapons feature with every wizard and are mostly used for last resorts, but can become quite powerful if you put your spells onto your weapon, meaning you can make your sword icy for one hit. Or you can have it have a combination of steam, lightning and arcane. Whichever you prefer.
This game is utterly fantastic and made even more fantastic by the co=op and multiplayer options. Get four of your chums to get this game and you’ve got yourselves a wizard adventure like no other! I’ve cried with laughter when playing this with Static and others, mostly because Static doesn’t understand why he’s constantly drenched in water and dies when he goes to revive people. The PvP element is a little dodgy; server lag usually means somebody has a meteor spell lined up when you didn’t even see them setup, but its forgivable when one of their own meteors hits them in the face. The DLC quests and additions and tonnes of content. This game is superb.
Hot Tin Roof: The Cat That Wore A Fedora (For reasons of length imma just call it Hot Tin Roof) Is a 3D side-scrolling metroidvania meets LA Noire. It’s so far my game of the year as its simply utterly compelling to play, captivating in charm and engaging in story. The graphics are simple: block types of creatures from Cats to Pigeons dominate a city which is colorful enough yet gritty to assist with the investigatory style. The music is one of the strongest points, with that 1920’s jazzy feel, building suspense with double bass plucks and it really makes you feel like putting on your coat, flicking up the collar and lighting a cigarette; but that would break the overall style the game has of itself. This game is very aware that it is a game and in that sense doesn’t take itself seriously and my god I love it even more for that.
So starting the game you’ll be cast into your office with the phone ringing. Answering it will provide you with a case that a nearby fancy lady has had her will stolen. You’ll grab your most useful tool, your revolver and head out. The way you transition between levels is by moving along a 3D plain, so you can go left and right but to go into alleys or into a room you’ll move forward onto another lane, kinda like what Little Big Planet does. But I’m getting ahead of myself, you’ll also speak to your trusty side-kick: Franky the cat. Franky is the best sidekick I’ve had in a game; albeit he’s utterly useless at jump puzzles his wit and addition to the game more than make up for it. He’ll act as your guide: explaining different types of ammo for your revolver (more on that later), giving insight into clues that you might find and having his own dark secret that deepens the connection you have with him. Franky, along with all the characters you meet and interact with form this great world to explore and play with.
So with the case, your revolver and your sidekick at your side, you step out into the overworld. You go onto speak to the lady who is missing the will that her father left. This is where the game starts properly. The main thing you deal with in this game is jump puzzles, hidden obstacles and quest solving. Hidden obstacles, like switches and platforms can be discovered using bubble ammo. This is where the puzzle solving comes into its element: your revolver can hold 4 bullets (Im not sure if that can be upgraded later in the game) but this means for the more elaborate puzzles you’ll have to load standard ammo, bubble ammo and a whole other variety to overcome the challenges. Its a stellar way to do platforming in my opinion. Oh and also Franky jumps and pops the bubbles which I laughed at when I first fired them.
So as you begin to explore the city, you’ll become wrapped into a series of cases along side the one you started with. This keeps you occupied and keeps the original case from getting dried up. There’s also a real sense of community in this game: the posh people inside the Ossified Egg work the Rats like slaves. The rats therefore exert a kind of resentment to the Eggs (as they’re called) whenever you mention them or talk to them about the missing will. Its factioning at its basic but it creates a diverse world that doesn’t get stale. Hopping around the world with the plucks on the double bass to accompany you, you begin to get lost in the world, I did and realized I’d played for almost an hour and a half in my first sitting. The Dump level was a real testament to platformers of the past; Various levels to explore, different techniques needed and a confusing labyrinth of doors and ways to go. I got lost a lot in that level and, whilst getting a little frustrated; managed to vent my frustration by shooting some bubbles for Franky to hop out infront of me and pop. I smiled, adjusted my fedora and pressed on.
I really don’t want to say more about the story for fear of spoiling it, so I’ll wrap up this review. Before I do end it though, I want to say something about the sheer brilliance the writing has on the game. When you first go into the toilet to save (They act as save points), Franky will explain that its how you save. But he’ll do it using puns such as “Had to LOG MY PROGRESS, if you know what I mean” etc. It is simply brilliant and adds to the comedy of the game as he does it with most new things such as new bullets, characters, clues and more. A great feature to pull a gamer into the game is with humor and one that is executed as well as in Hot Tin Roof is a real bonus to an already great game. My only issues are that there doesn’t seem to be a map and dialogue options take you away from the main topic, so you’ll have to talk to the person again to ask them another question. But these are minimal, now, where did I place that fedora?
Hot Tin Roof: The Cat That Wore A Fedore is developed by Glass Bottom Games. You can find it on Steam for £10.99. Article written for Spirit of the Robot by TD. Special mention to the developer for giving me a code for the game!
Join our steam group!: http://steamcommunity.com/groups/SpiritoftheRobot
I should really give credit to TD for this one. He found it, we played it, and I decided to review it. This was probably a wise idea on his half, since it’s taken me a long time to get round to a point where I feel I can take the plunge and actually give an opinion on this game.
So, Nosgoth pits vampires against humans in sets of two, five man teams going head to head in shooter style combat. Only, both sides seem to be taking part in an alternative Victorian steampunk style world. Humans are armed with crossbows, guns, are various types of launchers, whilst vampires are armed with the gifts the bad lord gave them, including climbing walls, spewing goo, and mauling you to death.
Vampires might be a strong word to use here. Recently, we’ve had so many different types. The traditional Dracula style, blood sucking, cape wearing, castle residing person is not present in this game. Nor is Twilight’s poncy self-hating angsty teenager vampire. Not even Underworld’s alternate Gothic, leather spangled vampires make an appearance. In fact, what we end up with is positively not what I would consider a vampire to be in any light.
Rather, Square Enix went down the path of creating a few beasts, not seeming to find a better name for them and using “vampire”, since they can regenerate health by feasting upon corpses. But honestly, there is nothing here I’d consider a “classic” vampire. You have guys that leap for miles, engaging hit and run tactics. You have big muscle men that can charge through and act as your tank. You even get deadly, lightning fast winged beasts which can swoop down and pick up a lone human to drop him from a great height. These are not what I consider vampires, but alas, Nosgoth does.
But let’s take a step back and assess the gameplay. Rounds consist of one team of five humans going head to head against one team of five vampires in a straightforward team deathmatch; that is to say, their only goal is to kill each other. At the end of the round, they swap sides and the humans become vampires and vice versa. At the end, the kill count is tallied up and the side with the higher overall score wins. Good system, easy enough.
I have to admit immediately that gamemodes are a bit thin on the ground at the moment. It does feel like it lacks variety, and I sure wouldn’t mind seeing a Capture the Flag, or King of the Hill. But this is probably all round due to one incredible factor about this game. It is balanced.
Nosgoth has to compete with itself to maintain a balance. Humans are stuck on the ground, with frequently defensive abilities. They heal by using designated healing points, which can only be used once in a while, forcing them to rotate round the map to stay alive. Meanwhile, vampires regain health by eating corpses, forcing them to be aggressive. Their abilities lie in devastation and disorientation, and have access to almost everywhere on the map. Can you imagine the difficulty in balancing a team that could choose to entirely consist of people who swoop from above to drop you from the heavens against a load of guys armed with crossbows and gunpowder pistols?
That said, Nosgoth does a fantastic job. Whilst playing, TD and I couldn’t really decide who had the upper hand overall, though we did think it was vampires by a very, very fine line. However, this was less for the individual units than the fact that it’s easier for an individual vampire to do more damage than for an individual human. Meanwhile, humans do require a lot more teamwork. With that in mind, we often found that we lost when playing with a team that refused to stick together, and won with a team that stayed focused as humans, and attacked all at once as vampires.
The balance is definitely a huge help, but the main draw to this game will be how active it is. These are not slow games, and I’m tempted to liken them to Smite in terms of activity. Whilst you have a powerful base attack, the true gameplay is revealed in each unit’s customizable abilities: Placing lines of fire, spewing poison, spawning minions, disabling and snaring units. Given that each individual person has a set of skills to help their team, it’s as much about having the right units to respond to the current enemy team as it is about using them at the right time. My favourite vampire unit had a great ability to reduce incoming damage by 80%, but the flipside is he couldn’t attack during that time and it had a half minute cooldown. So, I purely used it to run away without dying. This worked for my team as, before that, I’d charge in and begin the assault, taking most of the damage in that time.
So I expect we’ll see Nosgoth becoming a competitive game in the future. The opportunities for teams to develop tactics and train up, learning the intricacies of why that 0.4 second increase on that particular ability makes it no longer worthwhile, is too damn high. That said, for now, the random public matchmaking works well for finding a game, and there is a party system so you can play with your friends. Which, honestly, you’re going to want to do because matchmaking can put you with anybody of any skill (though, they do counter this by allowing low levels to purely match make within low levels).
There is one more gameplay fact to mention. This is a freemium game and it’s going for a League of Legends model. That means, there is an entire meta-game to help boost your ingame play (or improve your character appearance). You can buy new abilities, classes, skins, and boosters to help you progress. As a result, you can expect some people to be better than you, because they’ll be able to get the best of these items. In some respects, it’s a shame, since it unbalances a very balanced game. Of course nobody is going to take the 5% speed increase when there’s a 10% damage buff on offer, but if that 5% speed increase is free an 10% damage buff costs you $4.99, you might decide to stay free. But that’s always a risk with this marketing model. That said, and in Nosgoth’s defence, they do give out a daily taster on a random ability item each day, and I just made up those two items above. So, maybe they are more balanced. But my point still stands, there will always be some items more tasty than others.
All in all, for a freemium game, Nosgoth is damn fun. It’s been produced to a very high quality, which was surprising at first but explained by the fact that the team behind it are Square Enix. The graphics and sounds are excellent, especially given the freemium status, and the gameplay feels balanced and enjoyable. That said, at it’s current stage, I do feel like it has work to be done in getting more variety into the game. However, we are looking at Early Access and, so, there are many things that may yet change. It’s definitely worth a try but, unless you’re a fan of the growing area of ability-based gaming, you probably won’t stick on it.
And I still think “vampires” is a big stretch of that word.
Nosgoth is developed by Square Enix. You can find it on Steam for freemium. Article written for Spirit of the Robot by Static.
When I come to reviewing a game, one of the most fiddly part is getting screenshots. Often, I’ll be having a lot of fun and have to really bring myself to press F12 during the heat of the moment, to capture something amazing, when really I’ll want to be stuck in. King Arthur’s Gold took this a step further, and as a result, my collection of screenshots for this is slim.
But unfortunately, when I went on to get more today, I couldn’t. Why? Well, it’s pretty much midday and everyone’s doing working life stuff, but ignoring that, this game is unfortunately rarely populated. At any one time, I estimate there are a maximum of 80 people online worldwide. This is disappointing, as it’s a primarily multiplayer game and fun as hell.
This might sound hard to believe, but I actually came up with the idea of King Arthur’s Gold when I was sat in a GCSE English class about seven years ago. I said to my friend, “You know what would be cool? A game where you could build castles and fight over them. A 2D sidescroller, with soldiers and builders, so you could build up big castles or tunnel under them, and have huge battles at the gates.” Only, at the time, I thought it would be a two player game played as a turn based strategy. I never thought about it again for years until I saw this game, and I had to have it. They’d perfected the idea I had privately come up with years ago, only they made it a real time game, and everybody controlled one of the men on the field… Okay so, I had the base concept and nothing else, sue me.
This is a simple, arcade game in every way. The general controls are movement, attacking, picking items up, and blocking (if you’re a knight, anyway). The only slightly more complex parts are building and item construction.
The game is primarily multiplayer and focuses around three key gamemodes: Capture the Flag, Take The Halls, and Team Deathmatch. I won’t discuss team deathmatch, as it’s nothing more than knights and archers trying to kill each other, but the other two gamemodes have something fantastic: Construction!
At the start of the game, you will start with a basic spawnpoint and either a hall or a flag, gamemode dependent, obviously. In Take The Halls, your objective is to control all the Halls on the map. Think strategic points in other games. In Capture The Flag, you, well, need to capture the flag. Get across the map, grab the other team’s flag and get it back to yours, twice.
However, the initial map really is nothing but what is said above, then open land, water, and maybe some wild animals. You get, at the start of the game, five minutes to build up defences. This means your entire team (should) switch to the builder class, cut down trees, dig up stone, and build a huge fortification, ready for the enemy onslaught.
It makes for a really great game. I love the mining and building at the start of the round, preparing new and awesome defences for when the enemy arrive. Special blocks you can place, like trap blocks that only the enemy can pass through, or doors that only your team can pass through, make for interesting designs. Platforms allow one way movement, so they’re often used to make archer platforms where they can fire out but nobody can fire in.
After the construction time is over, gameplay changes slightly. Whilst builders need to maintain the defences, they could also move to the frontline to make an outpost, helping your team hold the ground they’ve advanced to. Or they could start tunneling under the enemy fortifications, so your knights can pop up from behind and slaughter everything.
Meanwhile, knights and archers will be pushing the frontline, trying to break through enemy fortifications, and generally keeping the pressure on. Knights get access to bombs and gunpowder kegs, which can help blasting through enemy defences, using their shield to block arrows, swords, and explosions alike. Meanwhile, archers have access to bomb arrows and fire arrows, which can punch holes in key areas or set entire wooden forts on fire. Additionally, archers get a grapple hook to pull themselves up to high areas, or move quickly. They also get the ability to play dead, and to hide in trees.
But quite often, it is the humble builder that sways the tide of battle. Their forward defences can keep the enemy locked in their castle, and they themselves can simply dig through the front doors to enemy castles, or even underneath them!
But when builders don’t work, KAG has one more solution up it’s sleeve. Siege weapons.
Catapults, ballistae, war ships, long boats, all of which have huge destructive ability. Ballistae and war ships act as mobile spawn points, with the ballista able to use huge bolts to shoot down enemy defences, and the war ship with the ability to ram through enemy sea defences alongside a top-mounted heavy bow to shoot enemies. The catapult can fire stone to knock down enemy walls bit by bit, or loaded with boulders or kegs to really do some damage. Heck, you can even load yourself to be flung over the enemy walls completely! Finally, the long boat can move quickly and very quickly bring down large enemy fortifications, simply by ramming into them… Of course, that requires a good few members on your team to all row the boat in the same direction.
And everything I’ve said makes for a hugely active, frantic battlefield. Games can go on for minutes, or over an hour, depending on how well the defenses are maintained and the tactics used. Games sometimes even end in stalemates, quite frequently due to the ground between enemy bases having been turned into nothing more than a gigantic crater due to the amount of explosions and damage. I mean, there’s nothing stopping you trying to make a bridge but there’s nothing necessarily stopping the enemy from using it, or setting it on fire…
And finally, as one last note, KAG has dynamic physics. That means, if a structure isn’t supported, it will fall, and kill anything immediately below it. So if that huge frontline wall is not only stopping your advance, but also protecting the entire enemy army behind it… Well, perhaps you could solve two birds with one stone and plant a gunpowder keg at the bottom, bring the wall crashing down on top of them… And probably you. But the rest of your team can then charge!
All in all, I absolutely love this game. Whilst it can get tiresome quite quickly, especially when a battle reaches a stalemate, the creative aspect and the simple but frantic combat makes for an awesome experience. My only real gripe comes from the fact that not enough people play it. Whilst you can happily hop on any evening and find a game, most people only play Capture The Flag, potentially only filling two servers to 75% of their 24 player capacity. Finding a game of Take The Halls, my personal favourite gamemode, is even harder. If there were more people playing this game, it would be constant, amazing fun. However, the game really has fallen on hard times and you can really only play what is available. The flip side of this is, there’s a very tight knit community, and even a few clans floating around that take part in matches. If you have a few pounds to spare, this is a great game to get and mess around on, even more so if you have a group of people you can play with. Highly recommended.
King Arthur’s Gold is developed by Transhuman. You can find it on Steam for £6.99, or you can get a four-pack for £22.99. Article written for Spirit of the Robot by Static.
Starbound is an Early Access 2-D exploration/crafting game developed by ChuckleFish and it’s a lot of fun. It’s essentially Terraria in space, with 2-D graphics and sprites, crafting and scavenging and a whole plethora of weapons and mobs to fight. The reason this review is coming up now is because it received a massive update a couple of days ago that sucked me right back into the game. The gameplay is simple yet challenging at times, the sounds are cheery and follow suit of the Terraria heritage by changing when you get deeper into the planets core or find a new biome. This update has given a breath of fresh air to an already fantastic idea.
When you start the game you’ll be presented with the option to create a character and choose from several races, which are largely the same at the time of writing except they get their own unique lore and items which you get when you start the game. After fiddling around with the hair and color then naming your Novakid you’ll be plonked onto your ship and be given a series of tutorial quests; such as fix your onship UI so you can access your onboard inventory, go down to the planet and chop some wood etc. Its a nice way to guide the player into the world and mechanics of Starbound and it works very well. The controls are solid and not too complicated, quick binds to your inventory and crafting screens can be edited for your approval and joy. After throwing you the tutorials, the missions they set start to get a bit more complicated. After chopping down enough trees and hunting the wildlife for food, you’ll be quested to go and mine (Surprise) some copper. Which usually means exploring the planet to find a suitable cavern. This is both utterly exciting and a joy to do. The art style is captivating and unique to most planets, the biomes are varied, the mobs/lifeforms roam around; whether its by flying or walking. I have to mention here the first mining tool you get, your “Matter Manipulator” which is essentially an all in one DIY tool. You’ll use this until you get pickaxes and such, which seems strange to me. A pickaxe seems so barbaric compared to the Matter Manipulator, but you can upgrade it later so maybe it becomes more useful later.
By this time you’ll have encountered the aliens (or are YOU the real alien? Mid-game crisis) that inhabit the world and you’ll have had to fight a few. Not all the aliens are hostile though, some will happily frolic the planet eating and making strange noises like I imagine Static makes when he rolls out of bed everyday. Others however will use a wide variety of attacks to murder you for simply looking at them funny. Some will simply run at you with a charge, others will throw toxic spit at you so you’ll have to keep your distance. It makes combat engaging as you cant use the same tactic for all the monsters you encounter. When you do have to fight you will have the chance to use a VAST variety of weapons; ranging from battered hammers to laser guns: all craftable or findable in chests deep under the planets surface adding to the thrill of jumping down a dark hole in hopes of finding that uberhaxor sword you’ve seen on a video.
When you finish the “tutorial” quests you’ll get to visit other planets and warp gates. These warp gates allow you to visit The Outpost, a gathering of NPC’s who offer trade and missions. Its a brilliant addition and adds more to the game after you might be “thinking whats the point?”. Also everybody likes the idea of piloting their own ship to unknown planets to discover what could be hidden there, right?!. Also a quick mention to the ships: They can now be upgraded to have more space! This was a thing I wanted way back when the game first released and now you can! Its so fun to customize and change the way your ship looks and when you hop online with friends its fun to see how they will make their ships look, obviously not as good as yours but still at least they tried!
When you die, which you will in several circumstances; misjudged a jump, went against an alien that looked adorable but spat fire at you etc., a few things might happen. The effects of dying are based on the difficulty you select at the start: Easy will mean you’ll only lose “Pixels” (In-game currency), Medium will result in a loss of Pixels and valuable items, such as diamonds and ore, and hard will result in permadeath so be careful! When you respawn back in your ship, you can decide to go back down to the planet or you can say “Sod it” and jump to another one. This allows for you to explore whole solar systems and eventually galaxies, adding depth to the game as you strive to upgrade your engines so you can blast to the furthest reaches of known space.
Overall this game is a fantastic addition to any exploration loving gamer. Its a really engaging, pretty, fun and down-right addictive game. If you liked the fighting in Terraria and the crafting of Minecraft, then Starbound is a definite to your collection. If you like killing aliens and acting like the conqueror of the universe as you go to planets and build giant tributes to yourself: You’ll probably like this game too!
Starbound is developed by ChuckleFish and is in Early Access. You can find it on Steam for £11.99. Article written for Spirit of the Robot by TD.
I’ve been putting off writing this review for about a week because I just don’t know where to begin. It’s not like it’s a large game in any way; in fact, it’s only just gone into alpha, but has already received considerable attention for its quality and potential.
So what is this game? Well, it’s a survival game. Another one, you say? Yes, another one. Like all survival games, it has its “catch”. Just as DayZ has zombies, and The Forest has natives, Stranded Deep has… Islands. Yep, just islands. No immediate threat from some savage beast, you’re generally safe, and your biggest threat is the elements.
The goal is the same as any other game of this genre: Survive. From my experience so far in this game, it’s not been too hard. After getting on an island, its a trivial matter of making some crude tools, a fire, killing some crabs, collecting some coconuts (for their juicy, juicy milk) and sitting around until there’s nothing left to eat or drink. Then you paddle over to the next island and repeat until you get bored.
But that’s really playing the game at the basic stage it’s at, and I can only assume that a significantly large amount more content will be added. There is plenty more to do, even now. You can build rafts, simple houses, fire pits (which are permanent features, useful for signifying places you’ve already been), beds, and hunting spears (useful for fishing and hunting sharks).
Oh, did I forget to mention the sharks? Well, this is a game technically about hopping between scarcely resourced islands to survive, so putting something inbetween to make that slightly more difficult makes sense. At this stage of the game, they don’t do much at all (I’m not even certain if they can attack you), but you can hunt them for meat and it’s every so slightly scary to see one when you’re half way to another island circling your little rubber raft.
However, there’s also fish in the sea. And you can hunt them to eat them. To be honest, you’d have to be a fool to die of starvation in this game, since these seas and islands are chock full of tasty creatures to eat. It reduces the challenge, definitely, but this game is very early alpha and we could see a huge change in the future, potentially making the creatures less numerous, or spawn less often.
Crafting in this game is unique, as far as I can tell. Unlike other games, where it generally involves using a recipe and crafting in your inventory, Stranded Deep requires you to drop all the items into a pile on the floor. This will then present a menu which will display all the things you can make with what is currently in the pile.
There are things I like and dislike about this system. On one hand, it makes crafting a lot easier and give you a slightly more realistic inventory. No longer does the game need to give you the ability to carry fifty tonnes of material to craft, so your inventory space is more realistic (note, more, not perfectly realistic). However, it does mean that things you might not have expected to work together might present you the ability to build, much to your surprise. For people who hate discovering crafting recipes, this is slightly helpful (though you have the internet anyway), and it makes crafting a lot faster. However, it’s a wonder that any person could one day throw a pile of items down and suddenly think “You know what? I could make a sword out of this.”
I’m very glad it’s done away with the minecraft way of making things, or simple combination recipes. I just don’t know if it is quite perfect, yet.
There is one other major feature to Stranded Deep I haven’t yet mentioned which, to me, is a defining feature. Exploring ship wrecks.
All around the shores and seas of stranded deep are ship wrecks. One can only assume that this area is effectively the Bermuda Triangle. There tends to be at least one ship wreck per island, with more in places and at sea. Then it’s a matter of getting into the wreck. For ones on shore, this might be as easy as walking over to it and finding a chest to open. For deep ocean ones, you’ll be diving down amongst the sharks, rifling through cupboards, grabbing what you can and returning to the surface to gasp for air.
Ship wrecks contain items you simply cannot craft. Lighters, good quality tools, torches, lanterns, bandages, buckets (for collecting rain), even motor parts so you can craft a powered raft to traverse the seas more quickly. As a result, you’ll spend a good amount of time exploring these wrecks.
My only problem with this at the moment, and I’m sure it’s something that will be fixed, is the game gives you no indication of how direly you need to breath. You can be thinking “just a few more seconds, just a few more seconds” and then find your character blacks out to “You have died”. Disappointing, but again, this is an alpha game.
Now, let’s just touch on one thing that really annoys me.
You spot an island out of the corner of your eye. “Wow, that isn’t too far! Let’s head that way.” As you slowly turn your head, the island gets further, and further, and further away. And suddenly you realise, for whatever reason, you have binoculars on the side of your head.
That left island isn’t too far at all! Set course!
Irritating. Not least since it takes a long time to paddle between these islands. It actually makes exploring kind of boring, because you’re just sat there holding left mouse wishing you could accelerate time.
But for all this bad side, there are some incredible cool features. As I’ve said, cutting down trees feels fantastic and immersive. But another feature, which took me a long time to figure out, was dynamic water levels.
I picked up a bucket in a ship wreck. Obviously, it was full of sea water. I couldn’t figure out how to empty the sea water without drinking it. So eventually, I just put it on the ground. After dropping it, there was a splashing animation surrounding the bucket, and I just thought it was an effect to symbolise how it was full of water. However, in picking up the bucket and trying to rotate it, I noticed that if the bucket stood up, it didn’t make the animation. And I then noticed, there was actually a liquid in the bucket model. Holy shit, that wasn’t a buggy animation, the water was actually pouring out of the bucket! I played around with this, and realised I could actually watch the water level in the bucket go down. Sure, the water itself isn’t dynamic, but the fact you can see a water level in the bucket itself that rises and falls blew me away! I can’t express how amazing it is that they actually created a dynamic model that displays how much liquid is in the bucket, that reacts to it’s position. It’s something I’ve never seen in a game before.
All in all, Stranded Deep is looking to be a survival game that stands out. Nowadays, with the huge host of survival games about, they all need something to stand out, and Stranded Deep manages it by presenting that necessity to explore in a beautiful, procedurally generated environment. I have high hopes for this game in the future and can only sit here eagerly anticipating future updates. It isn’t too expensive to buy right now, but I’d personally wait until a little more content is added before splashing cash on this.
Stranded Deep is developed by Beam Team Games and is in Early Access. You can find it on Steam for £10.99. Article written for Spirit of the Robot by Static.
Besiege is a 3-D Medieval construction game developed by Spiderling Studios, and my god is it simply amazing. The aim of the game is that you are presented with a castle to destroy, men to kill or resources to grab. The best part? You can design your very own war machine to do it. So whatever you think might be able to blow up a castle and murder knights in a glorious jam explosion, you can build. The graphics are simply stunning in a minimalist way, the textures for all the construction pieces are beautiful and detailed. Its so hard to believe this is VERSION 0.01 of an Alpha.
When you first load up Besiege, you’ll be greeted with a simple menu screen, as presented in the first screenshot, and you’ll jump into Ipsilon, the only world at the time of writing. You’ll then be thrown into the game with very little instruction on how to build, the game quickly adopts the “Here are the tools, do it your way” of playing. And within height restrictions, you can! The building mechanic is simple and effective to use, parts snap on to each other and can be deleted and flipped to your hearts content. There is only wood as the base of your projects at this time of writing, but it serves as a general starting point. Then, you’ll look at the tabs in the bottom right and notice, that along with your “Basic” blocks, you get other ones. Powered block are mechanical gizmos, such as spinning blocks and decouplers, Weapons are (Unsurprisingly) an arsenal of medieval weapons to destroy both castle and knight alike. The weapons go from spike balls to cannons and combining them onto your machine with the use of the Powered Blocks offers endless amounts of fun. There are also Flight Blocks, such as propellers and wings, which CAN make your abomination of a ballista fly if you’re some kind of engineering god, which Static is not; given his first ballista was an abomination of wood and string.
So with your attempt at a trebuchet built, you’ll start the mission and probably break it as soon as you move forward. At least, thats what I did, but I was so smitten by getting a working siege engine working that I worked for a whole 2 HOURS to get my ballista up to scratch and workable, and my god the feeling of accomplishment I got made my little face smile as I launched a bomb towards an enemy castle. Its the old “Easy to learn, hard to master” situation. Sure I could have simply made a wrecking ball, destroy my engine but still win the level, but I wanted that sense that this machine that just crushed 3 archers with a swinging spiked ball was all mine. The enemies, of which there are Knights, Archers, Cannons and a weird Monolith thing that fires lazers at you, all present their own problems; Archers will pelt your exposed wooden areas with arrows, eventually breaking them off, Cannons will pelt them with cannonballs that will tear right through the wood and the Knights will… Well they’ll just charge at you and die really, they’re the only useless thing about in this game. If by some chance you manage to set yourself on fire, the particle effects of your machine crumbling are bitter sweet; A joy to look at, a pain to have to tweak the design. I’ve stated before that I can’t believe this is an Early Alpha, and I really can’t. The gameplay is very solid at this stage, albeit sometimes programmed keys to extend pistons might forget themselves, your machine might collapse inwards when spinning too much but this is the level of complaints I have; they’re too minimal to even pick up on.
I can’t recommend this game enough. For the price its in and the quality of the Alpha its in, Spiderling Studios have a seriously good future ahead of themselves. The things missing, such as more construction components, more levels a scenario editor and possibly even community levels (Kinda like what Little Big Planet does) will all come in time. So, whilst I wait, I’m going to build a 50ft siege tower with cannons on every row.
Besiege is developed by Spiderling Studios. You can find it on Steam for £4.99. Seriously: £4.99 for a medieval Kerbal Space Program. Article written for Spirit of the Robot by TD.